PaintingsIDrawingsIPortraitsIBio/Artist StatementIPressIExhibitionsIMuseumsIContact |
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Connie Connally: Press |
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![]() Interview with Nancy Cohen Israel January 2009 |
Connie
Connally: New Home, New Directions By Nancy Cohen Israel |
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CASA Magazine January 29, 2010
Sullivan Goss-An American Gallery Life Like Water By Kerry Methner "Connally does explorative work with an explosive use of color
and dynamic brushwork. She communicates the mood of her experiences
and layers it with flashes of life." |
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Barbara News Press January 1, 2010 "100 Grand, An Art Spree for You and Me" By Josef Woodard My work was mentioned in the group show write-up as: |
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Guide West January 2008 SPOTLIGHT: MMGalleries presents: Connie Connally "Liquid Line" "Connally has...fearlessly turned landscapes into wonderful abstractions.
Her fluid and self-confident stroke, her color palette and expressive
gesture make the paintings come alive with movement and energy." |
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![]() Lemon Lorraine 2007 Finalist for the 2008 Hunting Art Prize |
Connie
Connally: Finalist for the 2008 Hunting Art Prize Dallas Modern Luxury, January 2006 Journey Into Abstraction: The artistic evolution of Connie Connally has taken her from figurative to abstract...and the adventure's not over yet By Steve Carter |
![]() Thistles and Fire 2002 included in Finding Your Visual Voice by Dakota Mitchell and Lee Haroun |
Finding
Your Visual Voice: A Painters Guide to Developing an Artistic Style By Dakota Mitchell and Lee Haroun From Visual to Pure Expression Connie Connally began this painting as she sat by a pond and studied the reflection of a barn. Near the water's edge was a stand of dead thistles which she saw as "thistle bones." When a wind gusted, the pink reflection of the barn on the surface of the pond was stirred into a swirling dance. That transformation inspired Connally, and her painting took on a life of its own. In her words, it "caught fire," and the resulting whirling image is a unique, personal expression of the scene. (Connally had 6 paintings included and described in the book) Austin American-Statesman, September 23, 2000By Michael Barnes Newer galleries making their mark on Austin Art Scene ...I lingered over Connie Connally's thickly slathered, densely hued oils of sleeping nudes... |
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Observer, Volume 23 Issue 39, 2003 Best Of Dallas Connie Connally named best portrait artist. "Dallas boasts one of the most innovative, creative and most recognized portrait artist in the Southwest. Known for her expressive nature and wide-open personality, Connie Connally paints unique and personal portraits that reveal little nuances and details about her subjects that surprise and delight the people... |
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![]() People I Know 2000 exhibited in NYC, San Diego, Dallas, Ft. Worth and Midland, TX and Wichita, KS |
THE
NEW YORK TIMES, June 4 , 2000 Art Reviews/Helen A. Harrison Explorations of the Face, Both Realistic and Fanciful "Face to Face 2"...In contrast to a general approach, Connie Connally examines herself, family members and friends in "People I Know," a group portrait consisting of 12 individual studies in the spirit of Lucien Freud. (Photo of the painting included) Dallas Observer, February 8-14, 2001Face Time After 25 years of making art for other people, Connie Connally has finally done something for herself By Annabelle Massey Helber |
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Wichita Eagle, Friday, December 7, 2001 By Bud Norman Connallys large-scale series was a crowd favorite at the opening reception, winning praise from young and old alike. Charles Steiner, juror for the Edwin A. Ulrich Museum of Art at Wichita State University where Ms. Connally is an alum said his family's favorite painting was "People I Know" His daughter said why it was her favorite, "it is obvious, that it makes us realize we all need each other." He thought that was a nice philosophical reading for the painting. |
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| Connie Connally
has also been reviewed in these publications:
The Guide April 7, 2006 Featured on TV: WFAA-TV Noon Day News, July 14, 1997 |
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| All rights reserved, Connie Connally. | |